Another element of music theater -- an awesome stage setting -- exists on West 57th Street in New York, the location of Steinway Hall, the 89-year-old flagship store, showroom, offices of Steinway & Sons, the legendary piano maker.
|The rotunda, Steinway Hall|
|Showroom and wood floor|
Steinway Hall also has quite the art collection, with paintings of great pianists and composers, and such artists as N.C. Wyeth and Rockwell Kent represented. Note the wood floor in the photograph above. All the showrooms have that parquet floor, made from wood that came from the Steinway factories.
The company's 161-year history is well represented, also, with artifacts, small models of historic pianos and dioramas lining the halls. There are also custom pianos, such as the John Lennon model, which has his artwork on the music stand, his signature and song quotes.
|The John Lennon piano|
But what I was really excited about was seeing the storied basement, where concert artists from Horowitz to Gould to the greats of today came to try out pianos for their performances.
I had brought my Chopin book, thinking I could perhaps get to play one a little. I especially wanted to play the Prelude in C minor, No. 20, Op. 28, hoping to get every nuance of Chopin's profound chords, particularly in the bass clef, where the Steinway growls like a lion.
Before the basement, Michael showed me the room with the famous Model D nine-foot concert grands and graciously left me alone for a few minutes. I sat down at one of the instruments, was a little nervous at first, then started to relax into the experience and greatly enjoyed it.
On his return, Michael, who is a jazz pianist himself (here is his website) suggested I try another piano in the room, his favorite, and the minute I started playing it, I was in love. I went back to the other piano and played a chord, then dashed over to the new one and played the same chord.
It was astonishing -- this piano had a complex voice and a soul. Each note was so rich and deep; it seemed to contain shades of notes. The tone was bright, yet warm and intelligent. It was so responsive I felt I could play a range of dynamics between piano and pianissimo, or forte and fortissimo. When I finished, I put my head down on the piano and embraced the music stand. "I want this one," I said.
|The Model D concert grand - incomparable.|
I looked at the monthly payments, after a 10% down payment, and began to dream. But even if $1377 a month for ten years was doable, there was the little matter of fitting this aircraft carrier of an instrument inside an apartment's 20-foot living/dining space.
|Worth every penny.|
This is the Steinway magic. I can't forget that piano; it's living in my head now. Maybe I can convince Michael to let me play it one more time at Steinway Hall, or maybe it's already on its way to the new digs.
I would love to know where #596708 ends up; maybe in a music school where it could be accessed, who knows.
We did make our way down to the basement after that, where the ghosts live comfortably with their modern counterparts and men with large muscles move an average of one instrument a day in and out of the building.
But I left my heart up on the first floor, where #596708 awaits a caress from the next set of piano-loving hands.